I was thinking about some of our older companions in the sword world dying and taking their stories with them.
I’d like to put a database together where people can submit their own stories. This shouldn’t be too hard. The idea would be to make a publically maintained book. What happened after the war was a once in a lifetime experience. No historian is covering it.
So it’s up to us to do it. Collect the stories of our peers before it’s too late.
If you want to send them in, you can send to me via email until I figure out the software. Every time I get 5 stories I will blog a new entry on it.
The rules are simple:
- please be honest, however, change names to protect people’s identity to Tom, Dick and Harry.
- choose a funny story, a lucky story or an interesting story. “I bought it from Condell at a sword show” is none of that. One of our people was told he would get three swords if he bought the guy’s daughter a bicycle, so he hauled ass off to the store and got the little girl a bike.
I think stories like that document a real and mostly American experience of finding swords. It’s no problem to me to post them in groups of 5 as they come out. I’ll call it “Story Time”.
Have any to share?
Scotch is pretty simple when it comes down to it.
Differences in locality make for unique elements that go into the production of the beverage. Local water, local weather conditions, local peat, distinct shapes of stills and other unusual aspects of a distillery all end up making for a single malt which has its own character, distinct from others, though sharing characteristics of its region.
Lagavulin for instance, has long had a warehouse on the seaside and during storms, breakers come in and crash up against the walls of the warehouse. Leaving barrels in this warehouse for 16 years allows for very slow diffusion of the local environment into the cask. This is one contributor to lending Lagavulin a specific flavor that is not easily emulated.
Continue reading Scotch
So, who is this smith Sue-Sa 末左?
Fujishiro has an entry for Sue Sa and says that it is an Oei period Sa school smith. The Samonji school starts with O-Sa and several of his students and their students and so on reused the single Sa 左 in their signatures. So sometimes we need to check these blades and try to determine from where in the school they came from.
Continue reading Sue-Sa
Just want to flag an event coming in Europe.
Should be good!
I’m a programmer.
I run the blog off of wordpress but I do my own site design, and the coding for my site yuhindo.com on which it resides.
I’ve been spending the last few weeks doing some fine tuning and overhauls that I’ve put off for a long time. The first of which is moving my domain out of .ca to a .com … regional domains are problematic for a lot of reasons.
By the way Yuhin is a phrase that Tanobe sensei often uses to describe masterpiece art swords. Yuhindo is a place you can find Yuhin. I’m not sure if I’ll keep the name but we will see.
Also about “dō” …
堂 【どう (n,n-suf) (1) temple; shrine; chapel; (2) hall; (suf) (3) (suffix attached to the names of some businesses, stores, etc.) company;
道 【どう】 (n) (1) (abbr) road; (2) way; (3) Buddhist teachings;
I have more than a decade of old pages I overhauled to bring up to modern spec and will be putting my old archive back online soon.
A lot of the changes were to embrace modern standards (sorry 2% of the world who still uses IE, it’s time to join the 21st century) and make sure the site runs fast worldwide.
I code it all myself and I take some pride in not running any analytics scripts or tracking. I find these things are annoying and privacy violating, not to mention they slow websites down. WordPress’ software which runs this blog is an example of bloatware, many features jammed in the implementation is glacially slow due to programmer’s choices. I try to avoid that with my own site but not too much I can do about the blog software.
A lot of the changes under the hood on my site won’t be so visible but should result in snappier performance and more uniform page rendering as long as you have a modern browser of some sort.
Hiding who you really are to hook
someone into an online relationship using Facebook
, Tumblr, Twitter, MySpace
or by cell phone.
Guy 1: “Hey
so I met this new girl online! She is so hot!”
Guy 2: “Have you ever seen
her in person?”
Guy 1:”No, does that matter?”
Guy 2: “Better make sure she’s not a catfish
Guy 1: “You think she’s catfishing?!”
— Urban Dictionary
Ah the perils of the internet.
We have a catfishing problem going on in the sword world. So far this as far as I can tell has not yet escaped Japan, but it will.
Continue reading Catfishing
Attributions are opinions. But they are the opinions of experts. I’ve written before on it but it bears some pounding on the table from time to time.
There is a strong libertarian school of thought in the sword market which is abused by sellers. This is based partially on calling out your manhood.
I don’t need papers to tell me what to think. Do you need papers to tell you what to think?
— Guy who probably should pay more attention to papers
For a mid level student, this calls their knowledge out on the floor and challenges it. Nobody wants to be the mid level guy to say yeah, I don’t know.
Continue reading Opinions Redux
Security theater is the practice of investing in countermeasures intended to provide the feeling of improved security while doing little or nothing to achieve it. Researchers such as Edward Felten have described the airport security repercussions due to the September 11, 2001 attacks as security theater.
Security theater works because people tend to have unrealistic expectations from not understanding the facts of the matter, and/or not wanting to accept their conclusions.
There is a way to fly safe. My system is very simple, 100% guarantees nobody will ever be injured by in-air terrorism again, and may in fact create a more pleasant flying environment for everyone.
Continue reading Security Theater
Ages ago I lugged a Pelican case of hocho back to Canada.
Every now and then someone finds the old link on my website and asks me if they are for sale. I gave most of them away 12 years ago. Anyway, this is Tsunahiro’s sword shop in Kamakura where I got them. He was not online back then but he is now.
I can vouch for the hocho as being very nice and as long as you treat them like a sword (keep them clean, keep them oiled), they are a real treat.
His lineage goes back to Masamune.
What’s in a name? that which we call a rose
By any other word would smell as sweet;
— William Shakespeare
So. Some advance notice… my domain name is going to change. To what, I am not yet exactly sure. But change it will, maybe soon.
www.katana.porn is available.
Actually pretty sure I know what the domain is going to be and this will happen sooner rather than later.
This is a common failure in markets where people do not have access to information. They begin to gut it out and lacking information consider all things to be equal. Then you get this question.
Exhibit A: 🎁 … this item has a price of $100.
Exhibit B: 📦 … this item has a price of $200.
Which is more expensive, A or B?
Continue reading Black Box
I toss this word around every now and then. This I think is a key element to understand, both when learning at the beginning of your studies and if you are able to acquire high quality pieces of any school or maker. These do not necessarily have to be Juyo or higher blades, the concept of archetypes apply everywhere.
Continue reading Archetype
A lot of these posts come about starting with emails I’ve sent that answer questions or are just part of an ongoing conversation about swords.
This came up today, which were some thoughts about the kinds of stuff people buy and collect. I grouped them into five categories. Maybe it needs more thinking but I think I’m vaguely correct.
These categories are:
- High Art
Continue reading Kinds of Stuff
An oshigata is a drawing of a sword, focusing on its hamon and shape. They have been used since before the advent of photography to record and document swords for reference. They can also serve as a fingerprint of sorts by focusing on the nakago which is transferred to the paper by rubbing.
A few heads up in this area are worth noting.
Continue reading Oshigata
That’s too expensive for only Hozon.
There are four levels of NBTHK papers: Hozon, Tokubetsu Hozon, Juyo and Tokubetsu Juyo. This four level ranking system unfortunately means that people end up with four slots in their head for placing an object’s importance and desirability.
This mistake takes its lead from the fact that it’s easy to grasp and remember four simple categories than it is to remember the vast and complex web of smiths, time periods, schools, their associations with each other, their place in history, as well as the myriad of individual qualities that make an item desirable.
All of that complexity is often boiled down into the thinking that an item with a particular paper should fall into a defined pricing range based on the paper.
This puts the cart (paper) in front of the horse (item).
My complaints about this mentality were bounced back in my face by Robert Hughes with two words that really grasped the problem well. He just said: Ladder Theory. And that crystallized it all for me.
Bear with me. This is long and rambling.
Continue reading Ladder Theory — Ladder Fallacy